A study of Anton Arrufat's play, "Seven Against Thebes", using critical trends concerning the performance aspect of the drama. It examines the genre of the drama and its relationship to the phenomenon of the Cuban Revolution, Arrufat as a Cuban playwright of the 1960s and his re-writing of the Greek theme of the fratricidal fight in Aeschylus' "Seven Against Thebes". The volume also contains an interview with Arrufat in which he describes the social circumstances surrounding the play and some of his classical re-writing techniques.
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